Sarah Morris b. 1967
AM/PM (1999)
aking its title from an all-day/all-night convenience store, AM/PM examines the famous Las Vegas "Strip," portraying the disorienting world of corporate hotels and casinos which utilize and redefine the spectacle in relation to architecture. AM/PM posits the concept of distraction itself as a strategy and the city as a conspiracy, which manipulates and directs the visitor.