Kota Ezawa (b. 1969)

The Simpson Verdict, 2002
Lennon Sontag Beuys, 2004
The Unbearable Lightness of Being, 2005
Beatles Über California, 2010
Paint Unpaint, 2014
Content is a glimpse of something, an encounter like a flash, 2020

Kota Ezawa is a Japanese-German artist currently based in San Francisco. Ezawa meticulously recreates, frame-by-frame, animated sequences from television, cinema, and art history using basic digital drawing and animation software. His aesthetic is a highly stylized mixture of Pop Art, Alex Katz, and paint-by-numbers pictures, to name but a few of his stylistic antecedents. This painstaking process creates an in intriguing facsimile of the source material, which include the Kennedy assassination, the O.J. Simpson trial, and clips from the film WhoÕs Afraid of Virginia Wolf? (1966) .

One of his works, The Unbearable Lightness of Being (2005), borrows the title of Milan Kundera's famous book to animate the assassinations of Abraham Lincoln and John F. Kennedy. The source material for Lincoln and Kennedy is, respectively, a segment from D.W. Griffith's film Birth of a Nation (1915) and the Zapruder 8mm film of the Kennedy assassination. The reanimation of these horrific, yet familiar, historic events gives the work its emotional charge. Ezawa forces us to acknowledge the historic and cultural distance between us and the depicted figures that feature so prominently in America's public memory. A similar effect is achieved in his 2002 work Simpson Verdict, where Ezawa animates the delivery of O.J. Simpson's verdict using the courtroom footage as source material while keeping the original audio from the footage in place. Both of these works' stylistic artificiality underscore the manufacturing of the historical spectacle and paradoxically preserve the power of the original events. Ezawa's ability to wring genuine emotion from the artificial makes clear his allegiance with previous Pop masters like Warhol and Lichtenstein.

These videos are being made available for noncommercial and educational use only. All rights to this recorded material belong to Kota Ezawa.