Adjunct forms a teetering, overloaded bridge between practitioners of subjectively-deodorized "conceptual literature" such as Kenneth Goldsmith and Craig Dworkin and writers working in a "new sentence" vein such as Language poets Bruce Andrews and Lyn Hejinian, all with a nod to novelist David Markson's Reader's Block. But Adjunct is far from an organized literary venture; rather, it is a sprawling, subconsciously assembled stockpile of casual phrases, trivial ideas, worthless statistics, obituary notices, self-reflexive misgivings, and numberless, numbing et ceteras that make it an electric anthem to cultural (and personal) entropy.