Seth Price (b. 1973)





SS12 (2011)

  1. SS12 (1:50:17)

SS12 - Seth Price
Soundtrack for fashion designer Tim Hamilton's Fall 2011 show, NYC
Distributed History 2011
New York

IN ORDER OF 1ST APPEARANCE
REVCO/CELTIC FROST/KONSTRUKTIVITS WOMEN OF THE SS PANASONIC/ZERO KAMA ZSA ZSA LABOUM PSYCHIC TV/COMING TO NOW CONRAD SCHNITZLER SLEEP CHAMBER/STEVE POINTDEXTER LFO ESPLENDOR GEOMETRICO SEVERED HEADS SYMPATHY NERVOUS PHILIPPE BESOMBES VAN KAYE&IGNIT MONOTON PASCAL COMELADE F.L.A. SEESSELBERG/ZK/PHUTURE GRAEME REVELL HUNTING LODGE EG/SP SKINNY PUPPY LAIBACH NOMORE IKO'83 SUTTERLIN/ALICE SHIELDS/PROTOTYPE 909/OM-INOUE/SUNS OFARQA/AIN SOPH/LUSTMORD



Sines (2003)

  1. Sines 1
  2. Sines 2
  3. Sines 3
  4. Sines 4
  5. Sines 5
  6. Sines 6
  7. Sines 7
  8. Sines 8

Recorded by Seth Price 2003 in Brooklyn, using sine wave generators and editing software.

Policier (1998)

  1. Gone for Good, I Need Sleep (vocals: Taryn Simon)
  2. World of the Future
  3. Summer of Hate
  4. Say Something Wronged
  5. Feelings v. Thoughts
  6. Kill This Pride
  7. Don't Kid These Days
  8. Earth First!
  9. Settle for the Ring
  10. Your Autograph
  11. Stupid Fren
  12. Demented Teen/Don't Even Try It
  13. Believe in Beauty
  14. Ohio
  15. Western Ash Union
  16. This is Mine...

Recorded to 4-track cassette, 1996-1998
Self-Published, 30 distributed


Cold Soul (2009)


8-4 9-5 10-6 11-7 (8 Hour MP3 Audio File, 579mb, 2007)
Liner Notes /Essay for 8-4 9-5 10-6 11-7 [PDF]


Title Variable (2001-)




"An inquiry into the ways that digital technologies have effected music production, both in popular forms as well as in more rarified modern composition, the project examines a brief but tumultuous history that in 30 years has brought us the sampler, MIDI, cheap synthesizers, the compact disc, personal computers, and the World Wide Web.

In an ongoing series of music compilations, each concentrating on a technologically transitional but culturally ill-defined moment within this recent history, Price suggests how production tools have changed music, both in distribution and who controls it as much as in structure and sound.

These moments so far include the growth of the early video game sound track as a musical form; the "New Jack Swing" era, when pop producers began really tightening their hold on rap and hip hop; the consolidation of experimental Industrial music into beat-oriented dance genres; and the first years of the sampler, when the technology was embodied in machines of such expense that only institutions like university composition labs could afford them.

These compilations have each been released in various audio formats and packaging designs, occasionally with changing titles. Some have been available cheaply in bookstores, museum shops, or on the internet, while others have been self-published or produced as limited art editions. As an accompaniment to each, Price has written an essay on the music in question and published it in a magazine. These pieces take rough cues from the music, and range in style from the tersely schematic to the base journalistic to the more abstractly theoretical.

As a mass form operating outside commercial channels, the mix tape seems to stubbornly and perversely retain its purchase on the imagination long after actual mix-tapes have slipped free of storage constraints and lost any clear definition. This is evident in recent aggregation phenomena such as "celebrity play lists", consumer my-favorite-genre lists posted to shopping sites, podcasts, or mixes freely available on specialist file-sharing blogs (which themselves often focus on musical moments presented as obscure or lost; these sites must be seen as generously redemptive gestures).

The need for such gentle but total recommendation, i.e. a packaging with no form, a package constituted mainly of taste, has always been with us, but seems only to increase with the decline of previously important guideposts like the music video, the niche radio station, and, above all, physical packaging itself." - Distributed History

An excerpt from an interview with Price in which he discusses "Title Variable" can be downloaded here:

Discussion of Project, Parkett, 2005 (pdf)



1. Akademische Graffiti / Unique Source / All Natural Suicide Gang (2005)

Was Ist Los (Continuous LP Mix)

Was Ist Los? [2003-2005] (pdf)
LP available from Reena Spaulings Fine Art


2. Industry (2003)

Side 1

Side 2

Journalistic Approach to Industrial Dance Genre [2003] (pdf)
New York Times Review [2004] (jpg)
CD available from Free 103.9


3. Video Game Soundtracks 1983-1987 (2001)

Early Video Game Soundtracks 1982-1987, In Magazine, 2001 (pdf)
I'm in Heaven When You File, i-D 2002 (jpg)


4. NJS/Nieuw Jaczx Swynjge 2003.
Essay, written to accompany NJS (download)
Purchase later-release CD from free103point9

Seth Price's work has recently been exhibited at the Kunsthalle Zurich, Reena Spaulings Fine Art, and Friedrich Petzel Gallery. His films and videos have been screened internationally at venues including The Swiss Institute, the ICA London, and the Rotterdam Film Festival. He lives in New York.

RELATED RESOURCES:
Seth Price in UbuWeb Film
Seth Price -- "Stay at Home/Go Home" (2003) [PDF]