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Samuel Beckett (1906 - 1989) Film (1965) 24 minutes, black and white Directed by Alan Schneider Writing credits: Samuel Beckett Cast Buster Keaton .... The Man Nell Harrison .... Passerby James Karen .... Passerby Cinematography by Boris Kaufman Film Editing by Sidney Meyers Art Direction by Burr Smidt Joseph F. Coffey .... camera operator RELATED RESOURCES: Alan Schneider -- "On Directing Samuel Beckett's Film in UbuWeb Papers
Wikipedia Entry on FIlm
Not I149.6 mb (avi), 15' 06" 1973 Starring and Introduced by Billie Whitelaw Not I takes place in a pitch black space illuminated only by a single beam of light. This light illuminates an actress's mouth. The mouth utters a monologue of fragmented, jumbled sentences which gradually coelesces into a narrative about a woman who has suffered an unpleasant experience. The title comes from the character's repeated insistence that the events she describes did not happen to her. The stage directions also call for a character called 'the Auditor' who wears a black robe and can be dimly seen at the back of the stage, occasionally raising its hands in a gesture of impatience. When Beckett came to be involved in staging the play, he found that he was unable to place the Auditor in a stage position that pleased him, and consequently allowed the character to be omitted from those productions. However, he did not decide to cut the character from the published script, and whether or not the character is used in production seems to be at the discretion of individual producers. As he wrote to two American directors in 1986: "He is very difficult to stage (light--position) and may well be of more harm than good. For me the play needs him but I can do without him. I have never seen him function effectively." -- Wikipedia "Not I" Not I
Written in English in spring 1972. First performed at the Forum Theater of
the Lincoln Center, New York, in September 1972. First published by Faber and
Faber, London, in 1973. First performed in Britain at the Royal Court Theatre,
London, on 16 January 1973. Note: Stage in darkness but for MOUTH, upstage audience right, about 8 feet above
stage level, faintly lit from close-up and below, rest of face in shadow. Invisible
microphone. MOUTH: . . . . out . . . into this world . . . this world . . . tiny little
thing . . . before its time . . . in a godfor . . . what? . . girl? .
. yes . . . tiny little girl . . . into this . . . out into this . . . before
her time . . . godforsaken hole called . . . called . . . no matter . . . parents
unknown . . . unheard of . . . he having vanished . . . thin air . . . no sooner
buttoned up his breeches . . . she similarly . . . eight months later . . .
almost to the tick . . . so no love . . . spared that . . . no love such as
normally vented on the . . . speechless infant . . . in the home . . . no .
. . nor indeed for that matter any of any kind . . . no love of any kind . .
. at any subsequent stage . . . so typical affair . . . nothing of any note
till coming up to sixty when . . . what? . . seventy?. . good God! . .
coming up to seventy . . . wandering in a field . . . looking aimlessly for
cowslips . . . to make a ball . . . a few steps then stop . . . stare into space
. . . then on . . . a few more . . . stop and stare again . . . so on . . .
drifting around . . . when suddenly . . . gradually . . . all went out . . .
all that early April morning light . . . and she found herself in the--
. . . what? . . who? . . no! . . she! . . [Pause and movement 1.] . .
. found herself in the dark . . . and if not exactly . . . insentient . . .
insentient . . . for she could still hear the buzzing . . . so-called . . .
in the ears . . . and a ray of light came and went . . . came and went . . .
such as the moon might cast . . . drifting . . . in and out of cloud . . . but
so dulled . . . feeling . . . feeling so dulled . . . she did not know . . .
what position she was in . . . imagine! . . what position she was in! . . whether
standing . . . or sitting . . . but the brain . . . what?. . kneeling?
. . yes . . . whether standing . . . or sitting . . . or kneeling . . . but
the brain . . . what? . . lying? . . yes . . whether standing . . . or
sitting . . . or kneeling . . . or lying . . . but the brain still . . . still
. . . in a way . . . for her first thought was . . . oh long after . . . sudden
flash . . . brought up as she had been to believe . . . with the other waifs
. . . in a merciful . . . [Brief laugh.] . . . God . . . [Good laugh.]
. . . first thought was . . . oh long after . . . sudden flash . . . she was
being punished . . . for her sins . . . a number of which then . . . further
proof if proof were needed . . . flashed through her mind . . . one after another
. . . then dismissed as foolish . . . oh long after . . . this thought dismissed
. . . as she suddenly realized . . . gradually realized . . . she was not suffering
. . . imagine! . . not suffering! . . indeed could not remember . . . off-hand
. . . when she had suffered less . . . unless of course she was . . . meant
to be suffering . . . ha! . . thought to be suffering . . . just as the odd
time . . . in her life . . . when clearly intended to be having pleasure . .
. she was in fact . . . having none . . . not the slightest . . . in which case
of course . . . that notion of punishment . . . for some sin or other . . .
or for the lot . . . or no particular reason . . . for its own sake . . . thing
she understood perfectly . . . that notion of punishment . . . which had first
occurred to her . . . brought up as she had been to believe . . . with the other
waifs . . . in a merciful . . . [Brief laugh.] . . . God . . . [Good
laugh.] . . . first occurred to her . . . then dismissed . . . as foolish
. . . was perhaps not so foolish . . . after all . . . so on . . . all that
. . . vain reasonings . . . till another thought . . . oh long after . . . sudden
flash . . . . . very foolish really but . . . what? . . the buzzing? .
. yes . . . all the time buzzing . . . so-called . . . in the ears . . . though
of course actually . . . not in the ears at all . . . in the skull . . . dull
roar in the skull . . . and all the time this ray or beam . . . like moonbeam
. . . but probably not . . . certainly not . . . always the same spot . . .
now bright . . . now shrouded . . . but always the same spot . . . as no moon
could . . . no . . . no moon . . . just all part of the same wish to . . . torment
. . . though actually in point of fact . . . not in the least . . . not a twinge
. . . so far . . . ha! . . so far . . . this other thought then . . . oh long
after . . . sudden flash . . . very foolish really but so like her . . . in
a way . . . that she might do well to . . . groan . . . on and off . . . writhe
she could not . . . as if in actual agony . . . but could not . . . could not
bring herself . . . some flaw in her make-up . . . incapable of deceit . . .
or the machine . . . more likely the machine . . . so disconnected . . . never
got the message . . . or powerless to respond . . . like numbed . . . couldn't
make the sound . . . not any sound . . . no sound of any kind . . . no screaming
for help for example . . . should she feel so inclined . . . scream . . . [Screams.]
. . . then listen . . . [Silence.] . . . scream again . . . [Screams
again.] . . . then listen again . . . [Silence.] . . . no . . . spared
that . . . all silent as the grave . . . no part. . . what? . . the buzzing?
. . yes . . . all silent but for the buzzing . . . so-called . . . no part of
her moving . . . that she could feel . . . just the eyelids . . . presumably
. . . on and off . . . shut out the light . . . reflex they call it . . . no
feeling of any kind . . . but the lids . . . even best of times . . . who feels
them? . . opening . . . shutting . . . all that moisture . . .but the brain
still . . . still sufficiently . . . oh very much so! . . at this stage . .
. in control . . . under control . . . to question even this . . . for on that
April morning . . . so it reasoned . . . that April morning . . . she fixing
with her eye . . . a distant bell . . . as she hastened towards it . . . fixing
it with her eye . . . lest it elude her . . . had not all gone out . . . all
that light . . . of itself . . . without any . . . any. . . on her part . .
. so on . . . so on it reasoned . . . vain questionings . . . and all dead still
. . . sweet silent as the grave . . . when suddenly . . . gradually . . . she
realiz. . . what? . . the buzzing? . . yes . . . all dead still but for
the buzzing . . . when suddenly she realized . . . words were . . . what?
. . who?. . no! . . she! . . [Pause and movement 2.] . . . realized .
. . words were coming . . . imagine! . . . words were coming . . . a voice she
did not recognize at first so long since it had sounded . . . then finally had
to admit . . . could be none other . . . than her own . . . certain vowel sounds
. . . she had never heard . . . elsewhere . . . so that people would stare .
. . the rare occasions . . . once or twice a year . . . always winter some strange
reason . . . stare at her uncom-prehending . . . and now this stream . . . steady
stream . . . she who had never . . . on the contrary . . . practically speechless
. . . all her days . . . how she survived! . . even shopping . . . out shopping
. . . busy shopping centre . . . supermart . . . just hand in the list . . .
with the bag . . . old black shopping bag . . . then stand there waiting . .
. any length of time . . . middle of the throng . . . motionless . . . staring
into space . . . mouth half open as usual . . . till it [Curtain fully down. House dark. Voice continues behind curtain, unintelligible, 10 seconds, ceases as house lights up.] RESOURCES: This UbuWeb resource is presented in partnership with GreyLodge
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